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Many foundries today present a “clean” version of a family or type suite, then revisit their design a few months later making a textured version. Get your hands on the free Demo version and test-drive two weights (with a reduced character set). Ten finely graded weights plus tasty italics with cursive forms encourage a wide range of applications.
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triangular) serifs make for a striking impression, especially in the heavier styles - the wedge shape is repeated in other details like the ear on the ‘g’ and the terminal on the ‘y’ - in this regard, Mirador might pass as an unrestrained descendant of Aldo Novarese’s ITC Fenice™ type family. Suited for headlines as well as short body text, this new family was the year’s most successful of its kind. His novel choice of genre - a highly contrasted serif family - resulted in a classy typeface of lavishly wide proportions. It’s all the more remarkable because with Mirador he left his comfort zone of sturdy, low-contrast grotesques and slabs to make something more unusual and mature. Since he joined MyFonts in 2012, Berlin-based designer René Bieder has made our list of the year’s favorite fonts every single year - this is his fourth time in a row. An eclectic yet happy exercise, resulting in a large family characterized by broad usability and excellent performance in print and web design. The burly sans-serif explores no less than FIVE well-known typographic phenomena within one typeface: The squarish sans basic shape with straight sides, plus the lack of spurs where curves meet stems, plus rounded corners, plus exaggerated ink traps in fat uppercase characters (like M and N in MAGNETIC, above) plus a huge collection of icons. Their popular success has been impressive this past year, with Panton their most successful new design. In a short timespan, Bulgaria’s Fontfabric has grown from a one-man effort into a productive group venture. There you go: a type hit parade like no other. We’ve looked at average sales over the year and during the successful introduction period we made sure popular genres are fairly represented we included no more than one font family from each foundry. Not simply the total sales volume across the year, as that would give the oldest font families an unfair advantage. Unlike most other Best-of-the-Year lists, this one is based on sales. As usual we have waited until the very last moment to put the finishing touches to this list, giving the faces released during the last months of the year a fair chance to make the cut. Here is our yearly overview of most popular releases. The year has also been quite remarkable for new fonts. We’ve improved our quality control, carefully selecting and coaching new type foundries. We’ve rewritten the “More Fonts Like This” feature using artificial intelligence techniques we’ve built in new ways of favoriting fonts and designers. We’ve introduced the new, responsive, visual homepage. MyFonts Most Popular Fonts of 2015, January 2016 My: Most Popular of 2015, January 2016 Fonts